Label: Chrome Horse Records - CHR - 09/10 • Format: 2x, CD Unofficial Release • Genre: Rock • Style: Folk Rock
The song initially appeared on his album John Wesley Hardingand it has been included on most of Dylan's subsequent greatest hits compilations. Since the late s, he has performed it in concert more than any of his other songs. Different versions appear on four of Dylan's live albums. Covered by numerous artists in various genres, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded for the album Electric Ladyland with the Jimi Hendrix Experience.
Following a motorcycle accident in JulyDylan spent the next 18 months recuperating at his home in Woodstock and writing songs. Dylan recorded "All Along the Watchtower" on November 6,at Columbia Studio A in Nashville, Tennesseethe same studio where he had completed Blonde on Blonde in the spring of the previous year. The final version of "All Along the Watchtower" resulted from two different takes during the second of three John Wesley Harding sessions.
The session opened with five takes of the song, the third and fifth of which were spliced to create the album track. Several reviewers have pointed out that the lyrics in "All Along the Watchtower" echo lines in the Book of IsaiahChapter 21, verses 5— Prepare the table, watch in the watchtower, eat, drink: arise ye princes, and prepare All Along The Watchtower - Bob Dylan - Stepped Forth From Sins Shadow shield.
And, behold, here cometh a chariot of men, with a couple of horsemen. And he answered and said, Babylon is fallen, is fallen, and all the graven images of her gods he hath broken unto the ground. Commenting on the songs on his album John Wesley Hardingin an interview published in the folk music magazine Sing Out!
I haven't fulfilled the balladeers's job. A balladeer can sit down and sing three songs for an hour and a half These melodies on John Wesley Harding lack this traditional sense of time. As with the third verse of The Gardens - John Chiodini - Weightless Wicked Messenger", which opens it up, and then the time schedule takes a jump and soon the song becomes wider The same thing is true of the song "All Along the Watchtower", which opens up in a slightly different way, in a stranger way, for we have the cycle of events working in a rather reverse order.
The unusual structure of the narrative was remarked on by English Literature professor Christopher Rickswho commented that "All Along the Watchtower" is an example of Dylan's audacity at manipulating chronological time: "at the conclusion of the last verse, it is as if the song bizarrely begins at last, and as if the myth began again. Heylin described Dylan's narrative technique in "Watchtower" as setting the listener up for an epic ballad with the first two verses, but then, after a brief instrumental passage, the singer cuts "to the end of the song, leaving the listener to fill in his or her own doom-laden blanks.
Critics have described Dylan's version as a masterpiece of understatement. Andy Gill said "In Dylan's version of the song, it's the barrenness of the scenario which grips, the high haunting harmonica and simple forward motion of the riff carrying understated implications of cataclysm; as subsequently recorded by Jimi Hendrix Dave Van Ronkan early supporter and mentor of Dylan, disagreed with the majority view when he made the following criticism:.
That whole artistic mystique is one of the great traps of this business, because down that road lies unintelligibility. Dylan has a lot to answer for there, because after a while Castle On The Hill Vs.
Where The Streets Have No Name - Various - The Best Of DMC. Bootlegs, Cut U discovered that he could get away with anything—he was Bob Dylan and people would take whatever he wrote on faith.
So he could do something like 'All Along the Watchtower,' which is simply a mistake from the title on down: a watchtower is not a road or a wall, and you can't go along it. John Wesley Harding was released at the end ofon December 27, less than two months after the recording sessions. The recordings came from separate concerts earlier that year at the Forum adjacent to Los Angeles, both with Dylan backed by the Band. Dylan first performed the song live on January 3,in Chicago on the opening night of his 'comeback tour'.
By Gray's count, Dylan had performed Daar Bij Die Molen - De Straatzangers - De Straatzangers (Deel3) song in concert 1, times by the end of In recent years, Dylan in live performances has taken to singing the first verse again at the end Nice Feelin - Rita Coolidge - Nice Feelin the song.
As Gray notes in his Bob Dylan Encyclopedia :. Dylan possibly was following the lead of the Grateful Dead in concluding the song by repeating the first verse; the Dead covered the song in this fashion, both with and without Dylan.
The original recording of "All Along the Watchtower" appears on most of Dylan's "greatest hits" albums, as well as his two box set compilations, Biographreleased inand Dylanreleased in According to Hendrix's regular engineer Eddie Kramerthe guitarist cut a large number of takes on the first day, shouting chord changes at Dave Mason who had appeared at the session and played twelve-string guitar.
Halfway through the session, bass player Noel Redding became dissatisfied with the proceedings and left. Mason then took over on bass. According to Kramer, the final bass part was played by Hendrix himself.
Kramer and Chas Chandler mixed the first version of "All Along the Watchtower" on January 26, but Hendrix was quickly dissatisfied with the result and went on re-recording and overdubbing guitar parts during June, July, All Along The Watchtower - Bob Dylan - Stepped Forth From Sins Shadow August at the Record Plant studio in New York City.
Bongiovi recalled, "Recording these new ideas meant he would have to erase something. In the weeks prior to the mixing, we had already recorded a number of overdubs, wiping track after track.
The completed version was released as a single in the US on September 21,almost a month prior to the album release on Electric Ladyland in October. The single reached number five in the British charts,  becoming the first UK stereo-only single to do so, and number 20 on the Billboard chart, Hendrix's highest ranking American single.
Dylan has described his reaction to hearing Hendrix's version: "It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop Mrs. Snail - Anita Munckton And June Epstein - Music Time. He found things that other people wouldn't think of finding in there.
He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day.
Strange how when I sing it, I always feel it's a tribute to him in some kind of way. Hendrix's recording of the song appears at number 47 on Rolling Stone's Greatest Songs of All Time and inBritish magazine Total Guitar named it top of the list of the greatest cover versions of all time. The earliest recording of the song, other than by Dylan, was by British pop group the Nashville Teenswho had previously had a hit in with the song " Tobacco Road ". The recording was described by the NME as "both effective and commendable", and by Record Mirror as a "reasonably strong song idea", but failed to have Folke Strømholm / Magne Hegdal - Strømholm - Hegedal commercial success, and the band left the Decca label soon afterwards.
Dave Matthews Band has played the song since the band's inception in the early s. This performance was later included as a scene in U2's rockumentary All Along The Watchtower - Bob Dylan - Stepped Forth From Sins ShadowRattle and Humand also appeared on the album of the same name. The performance was impromptu, with the band learning the chords and lyrics within minutes of taking the stage, and as a result, there were problems in editing the soundtrack.
The song made its way into 47 live shows All Along The Watchtower - Bob Dylan - Stepped Forth From Sins Shadow the band's Lovetown Tour. Neil Young has performed numerous covers of the song, including a notable performance at Farm Aid inwith band Crazy Horse and Willie Nelson.
Inhe performed a version with Bruce Springsteen. Bryan Ferry recorded this song as a demo with Robin Trower in the mids. He completed the track during sessions in August for his Dylan tribute album Dylanesque released March It featured up-beat versions of Dylan's greatest hits. The song has been covered by many other artists,  [ full citation needed ] including:. The song as originally recorded by Dylan was used in the film American Beauty.
The Bob Dylan version appears as playable track in the video game Guitar Hero 5. The final verse of the song is referenced in Chapter 10 of the graphic Sylvias Apology - Michael Shrieve & Patrick Gleeson - The Bedroom Window (Original Motion Picture S Watchmen.
The song is one of seven Dylan songs of which its lyrics were reset for soprano and piano or orchestra by John Corigliano for his song cycle Mr. The song is featured prominently in the re-imagined Battlestar Galacticaserving as a critical plot element of the show. The show features a new arrangement by Bear McCreary during the season three finaleand Jimi Hendrix's version during the series' finale. A cover was used in the Fox television show Lucifercovered by Tom Ellis playing the title role.
The Jimi Hendrix cover of the song is used in The Martian trailer. A cover performed by Jasmin Tabatabai as the lead of a women's prison rock band introduces the German film Bandits. In the Sky Fortress expansion pack for Just Always Righteous - Dir Yassin - Discography 3 released inthe antagonist, eDEN, quotes the line "Let us not talk falsely now, the hour is getting late".
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