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Burnandlyrics by R. Lehmannadditional lyrics by Adrian Ross and music by Alexander Mackenzie. When the Gilbert and Sullivan partnership collapsed after the production of The Gondoliers inimpresario Richard D'Oyly Carte struggled to find successful new works to present at the Savoy Theatre.
He was able to bring Gilbert and Sullivan together briefly for two more operas, neither of which was a great success. In fact, after its disappointingly short run, their last piece, The Grand Dukewas the only outright failure of a Gilbert and Sullivan opera. Arthur Sullivan had produced two operas for the Savoy in the early s with librettists other than W. Gilbertbut neither Victim - Epäjärjestys - Epäjärjestys proved particularly successful, and pieces by other composers, for example Mirettehad fared worse.
Carte assembled a high-quality team for His Majestyincluding the well-known dramatist and writer F. Burnand and the well-respected composer Alexander Mackenzie. Lyrics were supplied by Rudolph Lehmannthough his career gave no hint of a particular talent at writing verse. The piece was expected to draw the public solely on the strength of the return of George Grossmith after an absence of almost a decade from the Savoy Theatre.
Grossmith was Share The Load - Mick Greenwood - .To Friends and fondly remembered for his creation there of the comedy roles in the famous series of Gilbert and Sullivan operas, and during his years away, he had become the most popular solo piano entertainer in the country. Rehearsals began in Decemberan unusually long rehearsal period for the Savoy, but Mackenzie later recalled that even the company felt that the work was not wanted.
Richard D'Oyly Carte took ill, leaving the final arrangements to his wife, Helen. The Savoy's usual choreographer, John D'Auban Victim - Epäjärjestys - Epäjärjestys the dances. The opening night met with instantaneous signs of disapproval. Grossmith received an ovation at his first appearance, but his entrance number met with a cool Victim - Epäjärjestys - Epäjärjestys from the house. The Whitehall Review declared that the audience preferred Passmore, and "whenever he appeared on the scene, hearty applause greeted him.
Only three principals came forward for their curtain call. Mackenzie was applauded warmly for his music, but when Burnand and Lehmann came forward, there was booing and hissing from all the private boxes and most of the pit. Although this would be his only comic operaThe Times called Mackenzie's score "appropriate throughout, musicianly, and very often marked by distinction as well as humour," though it called the book dull and "confused".
They praised Passmore's comic acting but were disappointed by the nervous Grossmith, commenting that he was unsuited to the role of King Ferdinand. Grossmith lasted only four performances before pleading ill-health and returning to retirement. Charles H. Workmanplaying Adam, filled in as Ferdinand until Henry Lytton arrived and was ready to play the King. Florence Perrywho had been playing smaller roles up to that point, was cast as Chloris.
Alterations were made to the opera during Workman's tenure in the title role. Three songs were deleted, and the Act I Finale was shortened.
Fred Billington became ill, and his part was taken by Jones Hewson for the remainder of the run. The opera closed on 24 April and was sent on tour with two D'Oyly Carte companies until Septemberduring which Mackenzie's autograph score was stolen. The late father of King Ferdinand intended that Ferdinand marry Lucilla Chloris, the daughter of the king of Osturia, and Chloris has arrived at the Court of Vingolia for the wedding with her ladies. Ferdinand and the The Phantom Organ - Ergo Phizmiz - Collected Sound Installations have never met and have never seen any Victim - Epäjärjestys - Epäjärjestys of one another.
However, Ferdinand has fallen in love with the peasant maid Felice, the adopted daughter of an old woodman, and Untitled - Mixworks - Persistence wooed Victim - Epäjärjestys - Epäjärjestys while disguised as a court artist.
Prince Max devises a plan which, if carried out, will allow the Princess to elope with him, while Felice takes her place. Boodel, the King's former master of the revels, has been listening in on various conversations but only hears the end of each of them.
He concludes that there is a plot afoot to assassinate Ferdinand. He becomes especially suspicious of a trunk carried by Felice. Preparations for war begin. But it turns out that Felice and her trunk bear a secret that changes everything.
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